Pelagia Yuryeva

Reclome Font Family was designed by Satia Hayu Prabowo, Fitriyawan, and published by Runsell Type. Reclome contains 1 styles and family package options. Download Now Server 1 Download Now Server 3 Download Now Server 2 About Reclome Font Family Reclome font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more. Reclome

Download Now Server 1 Download Now Server 2 Download Now Server 3 Loretta is an elegant contemporary serif typeface for body text. It has roots in expressive calligraphic motions, compelled into stable typographic shapes. Loretta is perfect for editorial use in books and on the web because it has low contrast and open shapes that give it ideal legibility. The italic is vibrant and complements the regular with style. Loretta Loretta

Download Now Server 1 Download Now Server 2 Download Now Server 3 In 2011, while tutoring an exercise on Slab Serifs, Josema discovered Robert Thorne’s work for Thorowgood. Specifically, he was fascinated by the extraordinary density of the 6-line Egyptian Pica from 1820-21. As a simple exercise, he wanted to test the limits of readability within the context of a contemporary alphabet. Rothwood Ultra is the result of this experiment. As a way of developing the series, he found it interesting to go to the opposite end of the spectrum and discover how to evolve the extra-black Ultra’s DNA into a super lightweight model. The Hairline and Thin styles are her slim sisters.  The third challenge has been the creation of the text version. Light, Book, DemiBold and Bold, including italics and Small Caps close the Rothwood cycle for editorial use. Download Rothwood Fonts Family From Type-Ø-Tones Download Rothwood Fonts Family From Type-Ø-Tones

Download Now Server 1 Download Now Server 2 Download Now Server 3 To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an ageing typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre. And, of course, it goes well with its sans sibling, Tenon . Download Mortise Fonts Family From Signal Download Mortise Fonts Family From Signal

Download Now Server 1 Download Now Server 2 Download Now Server 3 Ardentia is a serif typeface, supporting a wide range of Latin based languages and Greek (see TechSpecs). Ardentia was created inspired by most serif text font used in book printing. Smooth curves help the flow for long text reading. Ardentia is designed with medium contrast in order to have all parts of the letter’s shape well printable in book size printing, for high or low resolution printers, high or low paper quality. Other than book printing, the medium contrast also gives good visibility in display thanks to its clearness. Thus, Ardentia will work well for both printing and display, webpage or electronic/digital display. Ardentia consist of 4 weights: Light, Regular, Semi-bold and Bold, plus matching italics. The thickness of the lowercases (vertical stem) of the regular font is drawn at about the middle of the thickness of similar kind (serif) and similar size fonts. So Ardentia is the right choice for both t

Download Now Server 1 Download Now Server 2 Download Now Server 3 I started to work at the Bernhard Studio in 1952 to 1959 in New York. I helped with some type designs and many other projects, this two tiered signature was added on all of Bernhard’s art that was produced in the past and in his later years. In the 50’s I thought Bernhard’s Gothic face was quite a bit outdated but as you may know it has become one of todays most used faces. His signature is based on his Bernhard Gothic Font. With todays computer technology I have digitized the caps and added lower case glyphs with lower ascenders and other slight changes. Download Bernhard Signature Font Family From Jonahfonts Download Bernhard Signature Font Family From Jonahfonts