Pelagia Yuryeva

Download Now Server 1 Download Now Server 2 Download Now Server 3 Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r an

Download Now Server 1 Download Now Server 2 Download Now Server 3 Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r a

Download Now Server 1 Download Now Server 2 Download Now Server 3 Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r a

Download Now Server 1 Download Now Server 2 Download Now Server 3 Our Ballinger family continues to grow with the addition of 16 new narrow styles. Their shared DNA is visible in the generous counters and x-height, forthright forms, and air of cheery efficiency. And like their wider relatives, they have their roots in 19th Century jobbing faces. While the eight Condensed styles are designed for impact, we took care to balance them for continuous reading, making them ideal for applications where space is at a premium. In contrast, the radically smooshed X-Condensed weights are ideal for movie credits, legal disclaimers, and lists of side effects. Features include semi-oldstyle figures and case-sensitive punctuation and delimiters. Winner of an ICAD Gold Bell. Download Ballinger Condensed Series Font Family From Signal Download Ballinger Condensed Series Font Family