Pelagia Yuryeva

Download Now Server 1 Download Now Server 2 Download Now Server 3 Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and

Download Now Server 1 Download Now Server 2 Download Now Server 3 Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019. Download Rever Fonts Family From ParaType Download Rever Fonts Family From ParaType

Download Now Server 1 Download Now Server 2 Download Now Server 3 TG Axima is a neo-humanist sans, with 6 weights & 2 widths with a total of 12 font. Inspired from humanist fonts like Frutiger and gill sans with touched post-modern. TG Axima is a perfect match for editorial design even for experimental design. Looks great at the small details or the bigger size. Download TG Axima Fonts Family From Tegami Type Download TG Axima Fonts Family From Tegami Type

Download Now Server 1 Download Now Server 2 Download Now Server 3 Katlynne is unpredictable. Katlynne is erratic. Katlynne is beautiful. Katlynne is an alternating contrast, sans serif type family. Arbitrarily separating the characters into ‘rounder’ and ‘straighter’ letterforms to determine what contrast each glyph will take. Katlynne is inspired by the observations made while watching the inexperienced use of broad tip pens. I found how and when individuals rotated their pen gave a visually intrusive, if not also pleasantly conspicuous effect. Often, the pen would naturally rotate horizontally (vertical contrast) on the rounder letterforms, and vertically (reverse contrast) on the straighter ones. This is more or less the formula Katlynne adopts as the contrast changes throughout the styles. Katlynne’s severity of contrast varies from ‘Negative Three’ to ‘Positive Three’ in four weights. With a central style ‘Book’ being the sensible, low contrast font in the family. Within the f

Download Now Server 1 Download Now Server 2 Download Now Server 3 Styro is a family of modernist-style stencil fonts. There are eight weights available, ranging in color from Thin through Black. All of the typeface’s weights are virtually monospaced, and with each weight of the family, the outside ‘strokes’ building up the letterforms increase in thickness. Styro’s characters are very condensed, and their design employs a reductionist formal vocabulary. For example, the counter-forms are expressed by thin lines that run inside of the letters, from their tops to their bottoms. These ‘counters’ are optically of the same width as the spaces between each letter. Many of the fonts’ stroke terminals – like those on the top of the ‘a’ or on the bottom of the ‘g’ – are reduced to simple geometric shapes. Diacritic marks take the form of light thin lines, which create a nice degree of contrast with their base letters. This thin-line treatment is also applied to many of the fonts’ punctuation ma

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kihim in a single-weight display typeface. It is grid-based design – and a very decorative one at that. All of its letterforms are set on an extreme angle. The ‘tops’ and ‘bottoms’ of each stroke reflect that angle, giving the typeface a ‘rotalic’ feeling, as if each letterform was rotated clockwise. Designed by Hitesh Malaviya, Kilhim is his interpretations of the late artist Nasreen Mohamedi’s drawings and photographs. Through the interplay of light and shadows, her work explored the creation and consumption of form. It featured highly structured grids, just like this typeface. Her work achieved a unique level of abstraction, in which simple marks caused grids to form and deform. In her photography, she concentrated on sparseness and shapes. Physical space occupied by the body was a point of departure for her. Beyond the body, there was the urban fabric of the city: the spaces created by walls, windows and intervals in

Download Now Server 1 Download Now Server 2 Download Now Server 3 Varidox, a variable typeface design, allows users to connect with specific design combinations with slightly varied differences in style. These variations in design enable the user to reach a wider scope of audiences. As the name suggests, Varidox is a paradox of sorts--that is, a combination of two disparate forms with two major driving influences. In the case of type design, the conflict lies in the age-old conundrum of artistic expression versus marketplace demand. Should the focus center primarily on functionality for the customer or err on the side of advancing creativity? If both are required, where does the proper balance lie? Viewed as an art, type design selections are often guided by the pulse of the industry, usually emphasizing unique and contemporary shapes. Critics are often leading indicators of where the marketplace will move. Currently, many design mavens have an eye favoring reverse stress. However,

Download Now Server 1 Download Now Server 2 Download Now Server 3 Rothek is a geometric sans serif type family with a strong and unique character. It comes in 20 weights — 10 uprights and 10 italics — and is a perfect tool for any designer who needs a versatile font for a variety of projects. While retaining its uniqueness and whimsicality, Rothek is highly legible even at smaller weights, which makes it a perfect fit for app and web design. But what’s really great about Rothek is its OpenType features, which make it really stand out. Not only does it know how to do fractions, but it also does subscript and superscript; it’s equipped with case-sensitive punctuation, which adjusts the height of your parentheses, hyphens (and many more) to the height of your letters. But there’s still more: Rothek is loaded with various figures — from default proportional numerals to oldstyle

Download Now Server 1 Download Now Server 2 Download Now Server 3 Grotesk Remix — remix of a Grotesk typeface in 4 styles (light - regular - medium - bold) Download Grotesk Remix Font Family From bb-bureau Download Grotesk Remix Font Family From bb-bureau