Pelagia Yuryeva

Download Now Server 1 Download Now Server 2 Download Now Server 3 Intertitle cards from a 1942 newsreel inspired the like-named Newsreel Text JNL , which is available in both regular and oblique versions. Newsreel Text JNL Newsreel Text JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom slab-serif structure is mitigated by soft rounded corners, while surging swashes and globular stroke endings further attenuate Tuggle’s otherwise would-be uptight tenor. The ideal typographic solution for children’s blocks, candy packaging, vape shop signage, and hospital way finding. Pair Tuggle with an equally juicy script like Dave West’s Superstar . Designed by the Photo-Lettering staff, and digitized by Susana Carvalho. TUGGLE CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Susana Carvalho Typeface Production: Bas Smidt Typeface Direction: Erik van Blokland, Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interes

Download Now Server 1 Download Now Server 2 Download Now Server 3 Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet . Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet ’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family. CHALET CREDITS: Typeface Design: Ken Barber, René Albert Chalet Typeface Production: Rich Roat Typeface Direction: Ken Barber, Andy Cruz Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world. Chalet Chalet

Download Now Server 1 Download Now Server 2 Download Now Server 3 The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL . Local News JNL Local News JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions. Easy Stencil JNL Easy Stencil JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 In the 1959 premiere season of “The Untouchables” (based on the book by Eliot Ness and Oscar Fraley) the opening title jumps off of the cover of the book and stretches out into tall, extremely condensed lettering. This inspired the type font Federal Agent JNL , which is available in both regular and oblique versions. Federal Agent JNL Federal Agent JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions. Convicted JNL Convicted JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 Lettering Lesson JNL is a bold serif alphabet found within the pages of the 1922 instructional booklet from the St. Louis Show Card School, and is available in both regular and oblique versions. Lettering Lesson JNL Lettering Lesson JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 Art Nouveau serif capitals and numerals in the 1917 instructional book “A Roman Alphabet and How to Use It” were the inspiration for Show Card Roman JNL ; available in both regular and oblique versions. Show Card Roman JNL Show Card Roman JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s. This inspired Dance Records JNL , which is available in both regular and oblique versions. Dance Records JNL Dance Records JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong. Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface. The end result is Maintenance Stencil JNL , which is available in both regular and oblique versions. Maintenance Stencil JNL Maintenance Stencil JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 As one of the most distinguished lettering artists of the 20th century, Meyer “Dave” Davison’s greatest contribution to the American visual landscape is arguably Davison Spencerian . The alphabet made its first appearance in Photo-Lettering’s 1946 catalog and remains a benchmark of the ornamental script genre. Thanks to the skillful hands of Mitja Miklavčič and the tireless eyes of House Industries designers Ben Barber and Ken Kiel, we have preserved the poise and precision of Davison’s masterwork in this faithfully-rendered digital incarnation. From automotive exhaust accessories and pirate-themed wedding invites to New Orleans sissy bounce hip-hop CD covers and upmarket bivalve ambrosia packaging, Davison Spencerian offers sober sophistication and unparalleled flexibility. DAVISON SPENCERIAN CREDITS: Typeface Design: Meyer “Dave” Davison Typeface Digitization: Mitja Miklavčič Typeface Direction: Ben Kiel and Ken Barb

Download Now Server 1 Download Now Server 2 Download Now Server 3 In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong. Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface. The end result is Maintenance Stencil JNL , which is available in both regular and oblique versions. Maintenance Stencil JNL Maintenance Stencil JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 As one of the most distinguished lettering artists of the 20th century, Meyer “Dave” Davison’s greatest contribution to the American visual landscape is arguably Davison Spencerian . The alphabet made its first appearance in Photo-Lettering’s 1946 catalog and remains a benchmark of the ornamental script genre. Thanks to the skillful hands of Mitja Miklavčič and the tireless eyes of House Industries designers Ben Barber and Ken Kiel, we have preserved the poise and precision of Davison’s masterwork in this faithfully-rendered digital incarnation. From automotive exhaust accessories and pirate-themed wedding invites to New Orleans sissy bounce hip-hop CD covers and upmarket bivalve ambrosia packaging, Davison Spencerian offers sober sophistication and unparalleled flexibility. DAVISON SPENCERIAN CREDITS: Typeface Design: Meyer “Dave” Davison Typeface Digitization: Mitja Miklavčič Typeface Direction: Ben Kiel and Ken Barb

Download Now Server 1 Download Now Server 2 Download Now Server 3 The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style. This type design has been turned into Social Club JNL , and is available in both regular and oblique versions. Social Club JNL Social Club JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 As one of the most distinguished lettering artists of the 20th century, Meyer “Dave” Davison’s greatest contribution to the American visual landscape is arguably Davison Spencerian . The alphabet made its first appearance in Photo-Lettering’s 1946 catalog and remains a benchmark of the ornamental script genre. Thanks to the skillful hands of Mitja Miklavčič and the tireless eyes of House Industries designers Ben Barber and Ken Kiel, we have preserved the poise and precision of Davison’s masterwork in this faithfully-rendered digital incarnation. From automotive exhaust accessories and pirate-themed wedding invites to New Orleans sissy bounce hip-hop CD covers and upmarket bivalve ambrosia packaging, Davison Spencerian offers sober sophistication and unparalleled flexibility. DAVISON SPENCERIAN CREDITS: Typeface Design: Meyer “Dave” Davison Typeface Digitization: Mitja Miklavčič Typeface Direction: Ben Kiel and Ken Barb

Download Now Server 1 Download Now Server 2 Download Now Server 3 The flashy font is a fun, cool, and retro style. Come with a fun alt glyph, it can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! This font is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Flashy Flashy

Download Now Server 1 Download Now Server 2 Download Now Server 3 Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal . Or, team up Goliath with a faceted fellow heavyweight like United Sans . Originally drawn in 1970, Goli

Download Now Server 1 Download Now Server 2 Download Now Server 3 Vintage Comics JNL was inspired by the way the word “comics” was hand lettered on many of the comic book covers of the 1940s, and is available in both regular and oblique versions. Vintage Comics JNL Vintage Comics JNL

Download Now Server 1 Download Now Server 2 Download Now Server 3 An ad promoting the 1919 silent film comedy “Back Stage” starring Roscoe “Fatty” Arbuckle was hand lettered in a thick-and-thin sans style with Art Nouveau influences. This lettering is now available digitally as Picture Show JNL , in both regular and oblique versions. Picture Show JNL Picture Show JNL